raf simons using artist prints for fabric dior 2012

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raf simons using artist prints for fabric dior 2012*******Jul 1, 2012 — Inside, the industry's great and good—Alaïa, Elbaz, Jacobs, Theyskens, Tisci, Van Assche, Versace, von Furstenberg—gathered to .raf simons using artist prints for fabric dior 2012 raf simons jil sanderJul 3, 2012 — In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease.Nov 21, 2012 — Raf Simons, Christian Dior’s new creative director, photographed by Willy Vanderperre in Antwerp, 2012. Antonina, who is shortly to model the look for the first .Jul 5, 2012 — In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II.Feb 13, 2017 — For three dresses and a coat in Simons’s first Dior couture show in 2012, he made signature fabrics—prints mixing black streaks with gray haze, lit by the atomic .Aug 10, 2019 — In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the .During Raf Simons’ tenure (2012–2015) as creative director at Christian Dior, he injected a new sensibility into the respectable couture house, bridging the venerable couture .Sep 28, 2012 — In just six months at Dior, Raf Simons has shown that he’s more than a creative director. He’s a decorator, an architect, and a definitive tastemaker. His July .raf simons using artist prints for fabric dior 2012Jul 2, 2012 — Raf Simons’ debut at Dior for Couture 2012-13, Paris. “Mr Dior was a supreme architect of pattern. He could construct something so perfect and yet he would .raf simons jil sanderJul 2, 2012 — Raf Simons’s debut collection from Dior haute couture was beautiful, modest in its approach to femininity, and thoroughly engaging. Inside, the industry's great and good—Alaïa, Elbaz, Jacobs, Theyskens, Tisci, Van Assche, Versace, von Furstenberg—gathered to see Raf Simons debut his first haute couture collection for. In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease.

Raf Simons, Christian Dior’s new creative director, photographed by Willy Vanderperre in Antwerp, 2012. Antonina, who is shortly to model the look for the first time in public, in the. In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II. For three dresses and a coat in Simons’s first Dior couture show in 2012, he made signature fabrics—prints mixing black streaks with gray haze, lit by the atomic dawns of acrid pinks and greens—from photographs of paintings by Ruby. In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into haute couture. Ruby was a contemporary of Simons in the same way Dalí was a contemporary of Dior’s.During Raf Simons’ tenure (2012–2015) as creative director at Christian Dior, he injected a new sensibility into the respectable couture house, bridging the venerable couture heritage with his own modernist aesthetic. In just six months at Dior, Raf Simons has shown that he’s more than a creative director. He’s a decorator, an architect, and a definitive tastemaker. His July couture collection put Dior again. Raf Simons’ debut at Dior for Couture 2012-13, Paris. “Mr Dior was a supreme architect of pattern. He could construct something so perfect and yet he would often throw in a gesture on purpose to break the perfection. He would make what he did human for the wearer. You could tell he loved women in that way, in that incredible .

Raf Simons’s debut collection from Dior haute couture was beautiful, modest in its approach to femininity, and thoroughly engaging. Inside, the industry's great and good—Alaïa, Elbaz, Jacobs, Theyskens, Tisci, Van Assche, Versace, von Furstenberg—gathered to see Raf Simons debut his first haute couture collection for. In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease.

Raf Simons, Christian Dior’s new creative director, photographed by Willy Vanderperre in Antwerp, 2012. Antonina, who is shortly to model the look for the first time in public, in the.

In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II. For three dresses and a coat in Simons’s first Dior couture show in 2012, he made signature fabrics—prints mixing black streaks with gray haze, lit by the atomic dawns of acrid pinks and greens—from photographs of paintings by Ruby. In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into haute couture. Ruby was a contemporary of Simons in the same way Dalí was a contemporary of Dior’s.

During Raf Simons’ tenure (2012–2015) as creative director at Christian Dior, he injected a new sensibility into the respectable couture house, bridging the venerable couture heritage with his own modernist aesthetic.

In just six months at Dior, Raf Simons has shown that he’s more than a creative director. He’s a decorator, an architect, and a definitive tastemaker. His July couture collection put Dior again.

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raf simons using artist prints for fabric dior 2012|raf simons jil sander